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Ladies Of The Canyon

 

"...In a thousand years, when someone wants to know what was so special and creative about the 1960s, they would do well to dust off this CD a give it a spin. From beginning to end this song cycle is her wondrous paean to the simple and beautiful countercultural dreams of peace, love and community..." Amazon reviewer Barron Laycock "Labradorman"

 

Joni Mitchell Ladies Of The Canyon

Joni Mitchell: Ladies Of The Canyon

 

I have to be honest, that while Ladies Of The Canyon is a must-listen for many of the Woodstock generation, most of it just passes me by. My guess is that I was just too young...and the hopes and dreams of a generation appalled by the Vietnam War...aren't really my cup of herbal tea. I don't have the life experience to validate these emotions, I was a child when that was happening and the war was only some exciting pictures on TV.

Furthermore, the prism through which that is seen, is a boundless sort of enthusiasm about the possibilities of Life and strangely, doomed romances...e.g. Willy (about Graham Nash)

"...Willy is my joy, he is my sorrow
Now he wants to run away and hide
He says our love can't be real
He cannot hear the chapel's pealing bells
But you know it's hard to tell
When you're in the spell
If you're wrong or if it's real..."

              Willy

 

Joni Mitchell on her ongoing affection for Graham Nash

"...My relationship with Graham [Nash] is a great, enduring one. We lived together for some time - we were married, you might say.

The time Graham and I were together was a highly productive period for me as an artist. I painted a great deal, and the bulk of my best drawings were done in '69 and '70 when we were together.

To contend with this hypercreative woman, Graham tried his hand at several things. Painting. Stained glass. And finally he came to the camera. I feel he's not just a good photographer, he's a great one. His work is so lyrical. Some of his pictures are worth a thousand words...."

 

"...Shot between 1969 and 2003, Nash's photographs include revealing portraits of:

  • family and friends
  • images of life on the road
  • still lifes and landscapes
  • street photographs and
  • a unique series of self-portraits which often shows him reflected in windows and mirrors..." Amazon blurb

 

"...Even after we broke up, Graham made a gift of a very fine camera and a book of Cartier-Bresson photographs. I became an avid photographer myself. He gave the gift back to me. Even though the romance ended, the creative aspect of our relationship has continued to branch out..."

Rolling Stone interview July 1979

 

...and I just don't get it, so, let's leave it at that and go straight to the three last songs, Big Yellow Taxi, Woodstock & The Circle Game...all of which are much covered and genuine classics:

First up, Big Yellow Taxi, Joni offers her only ever (as far as I know) dance track (strange, because she says she loves dancing), the acoustic, giggly, infectious, sly I've-been-dumped song masquerading as an eco-anthem:  

"...Hey farmer, farmer, put away that DDT, now
Give me spots on my apples
But leave me the birds and the bees
Please!..."
                             

...but lurking behind that is: 

"...Late last night, I heard the screen door slam
And a big yellow taxi took away my old man
Oh don't it always seem to go
That you don't know what you've got till it's gone
They paved paradise
Put up a parking lot..."

                           Big Yellow Taxi     

 

There's the hippy journalism of Woodstock, with it's Eden-like connotations that top and tail the first verse:

"...I came upon a child of God...
...And we've got to get ourselves back to the garden..."
  

...it's denouncement of the Vietnam War for a generation:       

"...And I dreamed I saw the bomber death planes
Riding shotgun in the sky
Turning into butterflies
Above our nation..."
 

...climaxing with the macabre image, that haunts the song's final version of the chorus.

N.B.: The two red lines of backing vocals set up a question that remains, at best, open to interpretation:

"...We are stardust                      Billion year old carbon
We are golden                            
Caught in The Devil's bargain
And we've got to get ourselves
Back to the garden..."

                                         Woodstock

 

Away from the words, there's the cultural significance of Woodstock, hovering like a sprite behind Crosby, Still's, Nash & Young's altogether wonderful macho, rockin' hit single. With the acrimonious break-up of The Beatles, this aggressive strut about Hippiedom's greatest moment laid the musical Spirit of the Sixties in its coffin dead and buried it, well and truly, six feet under. 

And then finally, The Circle Game, with its simple but beautiful capturing of the movements of a carousel in discussing the circuitous (and in this case, slightly depressing...though it doesn't sound so) nature of Life. 

"...And the seasons, they go round and round
And the painted ponies go up and down
We're captured on a carousel of Time

We can't return we can only look
Behind from where we came
And go round and round and round

In the circle game..."

                     The Circle Game

 

Three songs that are iust about as good a trio as anyone has ever released, songs that put Joan Alberta Mitchell on the map, forever. 

 

Joni Mitchell: Ladies Of The Canyon

"...As a college student in the late 60's I 'grew up' with Joni and Judi and Joan. I don't think I would have appreciated these releases several decades ago as much as I do now! Get this...and let the memories flow!!! You CAN go back, well, sort of..." Amazon reviewer Evelyn A. Cummings

"...As my first introduction to Ms. Mitchell's work, I had no idea what to expect. I was riding the wave of celebration for the 20th anniversary of Woodstock and happened to catch an interview with Graham Nash, where he mentioned her penning the ode for the event...

...The Woodstock anthem was so well written...she captured the spirit behind the event. In retrospect, this ability to create vivid pictures with her words created the hallmark for  her...emerging greatness as a song writer.

This is a great intro to Joni's work; then, if you choose to work back to the first two, you will see the improvements on already exquisite work. If you proceed to the next succession of material, you can trace the gift truly taking form. For days that mellowing out seems the only option, this is a perfect soundtrack..." Amazon reviewer Shannon Freeman "discerning spirit"

 

 

For more info, see:

 

FYI, Joni Mitchell's Collector's Edition DVD includes a 1993 LIVE concert and a 2003 biographical documentary.

 

Joni Mitchell: Collector's Edition DVD

 

 

 

 

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